Chazzbot II RSS

"It's not for you to know, but for you to weep and wonder/When the death of your civilization precedes you."

--Neko Case

Archive

Oct
29th
Thu
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ainwonderland:

think4yourself:

generic1:

It’s time to give the Obama administration some credit.
We were on track for another Depression.
As of now, we’re not.

ainwonderland:

think4yourself:

generic1:

It’s time to give the Obama administration some credit.

We were on track for another Depression.

As of now, we’re not.

Oct
26th
Mon
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“Enjoy the world as it is, Margaret.  They’ll change it and never give you a reason.”

“Enjoy the world as it is, Margaret.  They’ll change it and never give you a reason.”

Oct
17th
Sat
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You can use academic and critical tools to critique comics, such as close readings, theory, and thorough research. I think, though, that there’s a lot of what I dub “bad academia” going on: people who don’t bother to learn the material and technological history behind how comics were produced (fortunately, there are now excellent sources such as Men of Tomorrow and The Ten Cent Plague for that), so they don’t put comics in the proper context—theory for theory’s sake, divorced from the actual comic; bad comparisons based on lack of breadth of knowledge (Johnny Ryan is like Chris Ware, because they’re both alternative); people who feel guilty or ashamed for liking comics, and so use their academic credentials and training to justify it, or people who have a pet area of study and use comics to justify it (Blackest Night is like Paradise Lost); etc.
— Kristi Valenti, in an interview posted by the Columbia Spectator (for which I can’t find an operable link!).
Sep
20th
Sun
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Ed Ruscha, “Fall All Leaves All Fall” (2009). Courtesy Ed Ruscha and Gagosian Gallery, via NY Times.

Ed Ruscha, “Fall All Leaves All Fall” (2009). Courtesy Ed Ruscha and Gagosian Gallery, via NY Times.

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Don’t ever argue with me [about health]. I’ll go a hundred million or a billion on health or education. I don’t argue about that any more than I argue about Lady Bird [Mrs. Johnson] buying flour. You got to have to have flour and coffee in your house. Education and health. I’ll spend the goddamn money. I may cut back some tanks. But not on health.
— President Lyndon Johnson, in conversation with Vice President Hubert Humphrey, as quoted in The Heart of Power: Health and Politics in the Oval Office by David Blumenthal and James A. Morone.  (Review here.)
Sep
16th
Wed
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For what is there that makes friendships more readily or holds onto them longer than a charming and merry disposition? And you will hardly find anyone agreeable and popular who has no fund of quips and pleasantries and clever little jokes.
— John Milton, Prolusion VI: That Sportive Exercises Are Occasionally Not Adverse to Philosophic Studies, 1674.
Sep
10th
Thu
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Now at the outset of the next 50 years of space exploration, I contemplate the extraordinary imagery beaming down from the Hubble Space Telescope: distant nebulas and galaxies (and the confirmation of the existence of an organic compound in the atmosphere of a planet in a near-by star system), Cassini’s exploration of Saturn’s moons Titan and Enceladus for water, the Mars Reconnaissance Orbiter’s discovery of water deposited clay in a dry lake bed, and Messenger’s first flyby of Mercury since Mariner 10.

As a result, I am drawn to the visual possibilities that will originate from both robotic spacecraft and human spaceflight. So it is reasonable for me to postulate what still photographic images may be reasonable candidates for “iconic” during the next 50 year cycle, among them:

• first discernable image of a water planet—with evidence of oceans, clouds, continents—in another solar system

• first image of alien life forms either alive or in fossil form

• first image capturing the earliest light of the universe just after the “Big Bang”

• Jupiter and some of its moons as seen from the surface of Europa

• first panoramic image from the surface of Europa illuminated by the reflected light of Jupiter, not the Sun

•Saturn and its rings as (possibly) seen from the surface of Titan

— from “Examining the Iconic and Rediscovering the Photography of Space Exploration in Context to the History of Photography” by Michael Soluri (PDF file).  Also available in the NASA publication Remembering the Space Age, Steven J. Dick, ed.
Aug
20th
Thu
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I don’t believe in fetishizing formats. Vinyl, cassette, MP3, CD. Same thing with books: the scent and texture of certain kinds of paper can almost make me faint with happiness, but the important thing is the text. How it gets to you is much less important.

That said, records make me happy. Their vulnerability makes me so, their limitation. Forty minutes, twenty per side, their chipping, their popping, the way their sleeves wear and erode and start to show the shapes, the scuffed corona of the record inside. I dig frailty. It’s not nostalgia that makes me respond to vinyl, it’s mortality and specificity. I put a record on the turntable, I listen harder, I commit a little bit more than I do to digital formats. The question isn’t whether in collecting records, the music thus “belongs to me.” It’s the opposite: with a record, I belong that little bit more to it.

— from Matthew Specktor’s novel, That Summertime Sound
Jul
13th
Mon
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The crew of Apollo 11 (via craignelson.us)

The crew of Apollo 11 (via craignelson.us)

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Since 1972, no human has traveled beyond low-Earth orbit, a situation that makes one imagine what things might be like if, after Lindbergh’s flight, the species had contentedly gone back to making do with boats and trains…

[There have been s]pectacular unmanned probes on the order of Galileo and Cassini, yes; but where manned spaceflight is concerned, NASA currently continues on the same irresolute and unimaginative road it has traveled since Richard Nixon’s last years in the White House. The Eagle, Armstrong and Aldrin’s delicate landing craft, returned the two astronauts to Apollo 11’s command module on July 21, 1969. The springy little machine, having done its job, was then cut loose. It fell back into lunar orbit and eventually to the moon’s surface. To this day, no one knows exactly where it is.

— Thomas Mallon, writing on Craig Nelson’s book, Rocket Men: The Epic Story of the First Men on the Moon, for the NY Times Book Review.